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至高享受-后假日主义《August Day Song》(巴西)

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至高享受-后假日主义《August Day Song》(巴西)



Daughterof original Bossa Nova legends Joao Gilberto and Miucha, niece of thegreat singer-songwriter Chico Burque, Bebel Gilberto's talents haveproven more than worthy of her exalted descent. She has not only helpedto revitalize modern Brazilian music but has established it as a majorforce on the world stage. But are these 13 remixes worthy of her? Theanswer is a qualified yes. The whole point of this type of exercise isto reveal new facets of an existing track by inviting another artist tocollaborate on it--after the fact. Everyone involved with thesere-workings displays considerable taste and restraint; thus anynegative impressions would have to be completely subjective. Theoriginals were produced by Marius de Vries and were comparativelypop-oriented anyway. Gently-imposed beats and touches of chillyelectronica do not freeze the singer's digital hothouse bloom but addan additional dimension. Some tunes, such as Céu Distante, even emergeembellished with a surprisingly genteel, retro finesse.

Bebel Gilberto’s debut CD, Tanto Tempo became a worldwide phenomenon,selling a million copies around the globe and captivating audienceswith its mix of classic bossa-nova updated with cool electronica.

On her latest, Grammy nominated release, simply titled, Bebel Gilberto, Bebel collaborated with producer Marius de Vries (Madonna, Bjork,Annie Lennox) and once again topped the Billboard, amazon.com and Applei-Tunes World Charts.

Now, an international cast of the world’s best dance, hip-hop andelectronica producers has remixed the songs from Bebel Gilberto into avariety of fresh, modern styles. From well known masters like, ThieveryCorporation, Tom Middleton, Guy Sigsworth, DJ Spinna and Grant Nelsonto such fast rising new talents as, Spiritual South, Yam Who? andTelefon Tel Aviv, Bebel Gilberto Remixed collects an impressive crosssection of some of the dance world’s brightest stars.

巴薩諾瓦(Bossa Nova)是一種融合巴西森巴舞曲和美國酷派爵士的一種"新派爵士樂",承襲choro和samba-cancao的部分特色而又自成一格,乍聽簡潔輕快。巴薩諾瓦結構複雜;樂器的音階或和絃轉換的行進方式變幻莫測,往往乍聽下以為可以掌握旋律的起落和節奏,和絃一轉換後即捕足不及。它的旋律可以是行板(andante)或中板(moderato)速度進行。

語源 巴薩諾瓦(Bossa Nova)是葡萄牙文,Bossa是一種拉丁雙人舞節奏,Nova則是新的意思。結合起來,Bossa Nova就是一種融合了傳統巴西森巴(samba)節奏與啼樂(choro)的一種"新派音樂"。正統的Bossa Nova的起源是南美洲巴西土生土長的音樂,之後流傳到北美洲之後廣為爵士樂壇所喜愛,由美國爵士樂手大力推廣。也因此「Bossa Nova是拉丁爵士的一種」的這個印象,已經是後來的事情了。

風格 巴薩諾瓦的字面意思是「新節奏」,原來是一種拉丁音樂,聽起來輕鬆柔和、慵懶甜美、浪漫性感。與傳統南美及拉丁音樂不同的是,巴薩諾瓦不像森巴或倫巴(Rumba)那樣節奏強烈,除擁有南美音樂的熱情外,還帶有一份慵懶和輕鬆的感覺。

歷史 巴薩諾瓦在1950年代末期的巴西興起。 1959年,由法國導演Marcel Camus執導的巴西電影「黑色奧菲斯」(Black Orpheus)勇奪康城電影節、奧斯卡、金球獎三項最佳外語片獎; 帶有巴薩諾瓦風格的電影主題曲「A Felicidade」和「Desafinado」風行一時,人們開始對巴薩諾瓦產生興趣。1960年代美國更掀起一陣巴薩諾瓦風潮,延燒到世界各地,影響了往後1970、80年代的電影及流行音樂。











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  • tcswb 金币 +14 辛苦了 2009-11-11 17:11

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我第一次听巴西歌,味道也很特别,不错很好听噢!

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巴西人是这个世界上最会享受的人,巴西的音乐,也处处充满了放松充满了随意,很羡慕

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